Monthly Archives: May 2008

The Post in Which I Omit a Name

This morning I woke up at 7:30 to my incessantly buzzing blackberry, which informed me I had three missed calls and 3 emails in the past five minutes. It was a publishing friend asking me if I had seen the cover of the NYT Magazine yet and had I read the TEN PAGE story written by a former co-worker? Now I was interested and already intensely jealous. She’s only 25, how did she get on the COVER of the NYT Mag, let alone inside?!!? I dragged my laptop from my living room into my bed (not a very far journey) and clicked over to the story. The cover shot looks like an ad for a geek porn magazine. The inside story wasn’t any better: ten pages of what was essentially verbal diarrhea. A soap opera version of a 20-something blogger’s life — and not a well-written one at that. She did a lot of name-dropping of mutual acquaintances of ours, shared her “feelings,” relationship details and other things that besides from being TMI, are definitely not Times-worthy items. In fact, this story and individual are sooo past their 15 minutes of fame, I am starting to wonder about the credibility of the Times. Is there really nothing newsworthy going on?

Sadly, I had just seen this girl at a party last weekend, where she clearly hadn’t grown up in the two years since we’d worked together. At the publishing house, she thought herself to be the “Queen Bee” of our office. When she walked down the hall, it was like high school. People, including our seasoned, intelligent managing editor, were intimidated by her and I never understood why. She wasn’t exceptionally deft at picking books or handling authors, she didn’t prove to have much of a talent for any form of writing besides blogs, and she sized you up in about five minutes, formed her opinion and seemingly there was nothing you could ever do to change it (though some people certainly did try). She thought she had a clear sense of who I was, but when we had to meet about an author just before she was leaving the company, she learned she had misjudged me. It was interesting to see the expression change on her face: from conceited, to slightly humble (?) and a bit rocked. I won’t go so far as to say she had a new-found respect for me, but there was a neutrality that existed in those last few days that left me feeling a little smug.

And, because I’ve grown up since I started writing this quirky post, it’s time I say good for her for getting published the New York Times Magazine. It’s just too bad it wasn’t for writing anything other than a very lengthy blog post.

— Downtown

P.S. It seems there are other bloggers who agree with me.

A New York City First

While I’ve yet to re-cap the md events that ensued post-itching excitement earlier this month, I’m thrilled amazed to report that I’ve been in contact with a pediatric dentist that sees patients out of network and will not only bill insurance on her patients behalf, but hold on to your retainers, she bills you for the balance.

In the olden days, we paid the dentist, they were willing to submit the forms to insurance BUT reimbursement was paid directly to them AND only then did they reimburse the payee.

I must say, things are looking up!

Me, Musically

There are certain blogs I’m obsessed with and visit religiously. My all-time favorite out of these is the NYT’s Measure for Measure: How to Write a Song and Other Mysteries. Music is one of the purest forms of writing and interpretation. The depths and volumes one has to convey when writing lyrics, a part for a cello or even singing, is genius at its finest. Reading this blog is bittersweet, because it triggers a wellspring of memories.

Music defined much of my early life. My parents quite accidentally provided me with an incredible musical foundation. Unlike my peers, I was never allowed to listen to Madonna. The rule was if you wanted to listen to anything, it had to play on a record (I didn’t get my own tape player until I was 10). This meant listening to whatever we had in my house, what could be pilfered from my grandparent’s Bronx apartment or what we could pick up at garage sales and second hand record stores. My mom’s collection consisted of Cat Stevens, Janis Joplin, the Flashdance soundtrack, Star Wars (no one knows where this came from), Aretha Franklin, Carole King, Joni Mitchell, the Beatles and the Moody Blues. My grandparent’s apartment held Frank Sinatra, Bing Crosby, Louis Prima, Dean Martin, Lou Monte, Ella Fitzgerald, the South Pacific soundtrack, Billie Holiday and the Three Tenors. My Dad’s one album was the hit single, “American Pie.” Being naive, I assumed everyone listened to this stuff, when they weren’t listening to MC Hammer

When I was 12, we got our first CD player, with a six CD changer. It came with six free CDs: Bette Midler’s “Experience the Divine,” Highlights from Les Miserables, A Smokey Mountain Christmas (Christmas music as played by Earl Scruggs, on his banjo), Barry White’s Greatest Hits, the Best of Andrew Lloyd Weber, and a mix CD that featured such early hits as, “In the Mood” and “Rhapsody In Blue.” I fell in love with all of it. The call and response of blues, and the jazz of George Gershwin’s “Rhapsody in Blue,” which was only appropriate to listen to at full volume. I had a very definite visual to go along with RIB, as it was my idea of what the Harlem Renaissance must have felt like. I have no idea how or why I connected a white, Jewish composer to an African-American movement, but mentally, it worked for me. It was only later in college that I discovered this was in fact Gershwin’s intention, as he said the piece was meant to be “heard it as a sort of musical kaleidoscope of America, of our vast melting pot, of our unduplicated national pep, of our blues, our metropolitan madness.”

Beyond jazz, I was also in love with Broadway music. From the Les Miserables “highlight” soundtrack, to the Andrew Lloyd Weber CD, I had music from thirty years of Broadway right at my fingertips. I started singing them all, alone, in the living room. The songs always played at full volume, so I couldn’t never quite hear my voice above the music. It was my grandmother who told my parents she thought I might be a good singer and perhaps they might want to get me lessons, if anything, to relieve them all from hearing the same song over and over again while I worked to “feel it” throughout my body in the right way.

It had never occurred to me that people could go for voice lessons, so when I went to my first lesson, I had no idea what I was supposed to do. We went through scales and then I was asked to sing something. I didn’t own any sheet music, so I just went ahead and started, a cappella, not knowing how it was going to work. It turns out, I had perfect pitch, timing and belted so vivaciously that I felt a physical vibration in the room from it. That was all it took, I was hooked. Lessons began twice a week, then I found a mentor who worked with me an additional day a week in exchange for my babysitting services. I sang along to everything, including the violin parts of classical music. My voice was way more mature than my 13 year old body let on. I auditioned for local musicals, joined a jazz group where we performed at some really cool venues.

Eventually, I started going to Manhattan School of Music for further training. This was in addition to my lessons with a maestro and his accompanist on the Upper West Side, my ongoing jazz group and attending recordings, rehearsals and performances and even the Drama Desk Awards, for an off-Broadway musical my mentor was starring in. My idea of an education was to absorb as much as I could from as many angles as possible. For instance, if I was singing something from Evita, I’d research Eva Peron and the presidency of Juan Peron. That was my life, daily commutes into Manhattan from my private middle/high school in Westchester and endless hours of practice and homework from both schools.

Despite all of the work, passion and time I devoted to my love, I never quite felt my voice was good enough to perform solo. I knew in my heart of hearts, it was, but a crippling stage fright overtook me 70 percent of the time. And despite the mature voice, I was still an adolescent with zero confidence. I was starting to burn out from all of the pressure and fear I had put on myself.

One day, when I was 16, I simply had enough. I stopped, abruptly and permanently. My music books, scores and endless notes, CDs and programs began to sit in my bookshelves collecting dust. Today, my voice isn’t anywhere near where it used to be (this is especially evident during Karaoke sing-offs), but music still runs through me like blood. I remember every lyric to every song I’ve ever had to sing, including ones from elementary school. I may have been able to turn off the voice then, but my musical memory and my love for the art, can never be extinguished.

— Downtown

Playing God

I’ve spent the past four days in writer’s block hell. I’ve had moments in the past like this, but it was usually due to procrastination that I wasn’t getting work done. This time, it’s definitely because of God. I’m working with a new organization (underwritten by a group of churches) on some copy writing material. The organization has only been around for two months. Among other things, they have a brochure they would like me to rewrite. I’ve spent about 12 hours working on the brochure (eight of which I’ve spent debriefing people on their jobs). Now I only have one problem, I don’t know what they do. Day-to-day, overall mission statement, upcoming programming, goals, etc. not one clue. By deciding what to write in this brochure, I’m single-handedly deciding what this organization will be about and where they’re heading. In a sense, I’m playing God.

The only problem with playing God is that he had an idea of what he wanted to do and six days to actually execute it. I’m sure he spent a little more time on the logistics and formulation, but clearly that was glossed over in his biography. I, on the other hand, only have four days and notes that resemble a really bad college philosophy paper. I’ve had to resort to using their words and existing phrases such as: ongoing transformation of society. When I asked these people what they believe the function of their “company” is in relation to helping others, here’s what I got back:

[Name of organization here] will work with organizations, individuals, church groups, societies and communities in a variety of roles including: acting as a unifying center, change agent, incubator, catalyst, mirror, collaborator, and training ground…

Brochures are made up of hard facts and bullets. They feature things such as mission statements and overall view of a company and it’s goal(s). The problem here is that said company does not yet have solid goals. Their programming is currently “classified,” meaning I can’t write about it for public consumption, since nothing is confirmed yet. All that I’ve witnessed them do first-hand is attend conferences. And, I’m not talking the local church kind. I mean traveling to places like Dubai, Brussels, St. Petersburg, Barcelona, and Japan. They return enlightened and brimming with philosophical knowledge, but nothing else.

I somehow feel like this isn’t quite what God had in mind, but in the interest of delivering material, I made things up as best I could. I guess you could even say, I lied. They loved my lies. Now it’s official, I’m going straight to Hell.

– Downtown

Good News

first we received a letter from a NYC tutoring service to say they’d have “homework”helpers in the Hamptons (or Aspen or whrever you’d be willing to send the super smarty pants) and now there’s this:

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